Eve-Maud Hubeaux
Vienna State Opera – Don Carlo
Eve-Maud Hubeaux, as the seductively aggressive Eboli, also deserves a special mention. Her mezzo-soprano is colorful and shimmering, ensuring that the women, in particular, were destined to steal the show this evening.
Krone.at (September 28, 2025)Salzburger Osterfestspiele - La Gioconda
La Gioconda opens the renowned Salzburger Osterfestspiele . This rarely performed opera calls for six outstanding voices—and the festival presented a star-studded cast, including the up-and-coming Eve-Maud Hubeaux, who portrays her first Laura here.
operawire (March 21, 2024)Representation
Worldwide general management (*in cooperation with ARIËN, ARTS & MUSIC MGT. BV for the Benelux countries (Belgium, Netherlands and Luxembourg))
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Season 25/26 and Highlights
OPÉRA NATIONAL DE PARIS
Verdi - Aida - Amneris
PREMIERE Sept 24
Sep 28, Oct 1/4/7/10/13
Wagner - Walküre - Fricka
PREMIERE Nov 11
Nov 15/18/21/24/27/30
ORCHESTRE DE LA SUISSE ROMANDE
Mozart - Requiem
Dec 17/18
THEATRE DES CHAMPS-ÉLYSEES
Bellini - Norma - concert version - Adalgisa
Jan 8
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GRAND THEATRE DE GENEVE
Rameau - Castor and Pollux - Phoebe
PREMIERE March 19
March 21/22/24/26/28/29
SEMPEROPER DRESDEN
Bizet - Carmen - Carmen
PREMIERE May 1
May 3/6/9/14/17/23/25, June 1
Verdi - Aida - Amneris
June 11/13/18/26/28
Biography
Mezzo-soprano Eve-Maud Hubeaux has been considered one of the leading exponents of her field since her Amneris in the Aida production at the Salzburg Festival in 2022, at the very latest. With her successful appearances at houses such as the Vienna State Opera (Don Carlos / Eboli), the Opéra de Paris (Hamlet / Gertrude), the Liceu Barcelona (La Favorite / Léonor de Guzman), the Deutsche Oper Berlin (Carmen) and La Monnaie Brussels (Tristan und Isolde / Brangäne), Eve-Maud Hubeaux has established herself internationally.
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The 2025/26 season begins for Eve-Maud Hubeaux with two new productions at the Opéra de Paris, which has invited her to sing Amneris ( Aida ) and Fricka ( Walküre ). At the Théâtre des Champs Elysées, she will sing her first Adalgisa in a concert performance of Bellini's Norma . The Grand Théâtre de Genève will present the artist as Phébée in a new production of Rameau's Castor et Pollux . Semperoper Dresden The mezzo-soprano has secured two roles: the title role in a new production of Carmen and Amneris in a series of performances of Aida .
Important engagements in recent seasons include Eboli in the new production of Don Carlo (Serebrennikov-Jordan) at the Vienna State Opera, her debut at the San Francisco Opera as Carmen , Laura ( La Gioconda ) at the Salzburg Easter Festival under Pappano, Fricka in Rheingold and the High Priestess in La Vestale at the Opéra de Paris, Mère Marie in a new production of Les dialogues des carmelites at the Vienna State Opera and Eboli ( Don Carlo ) at the Berlin State Opera. At the Salzburg Festival she has appeared as Amneris, Gertrude ( Hamlet ) and Clairon ( Capriccio ). She thrilled audiences in Valencia as Concepcion in Ravel 's L'heure espagnole . She has already sung Eboli in the French version of Don Carlo at the Vienna State Opera, the Hamburg State Opera and the Gran Theatre de Geneve. She also performed as Amneris at the Savonlinna Festival, as well as Carmen at La Monnaie Bruxelles, Judith in Bluebeard’s Castle and Brangäne in Tristan and Isolde at the Opéra de Lyon , the female lead role of Dona Prouhèze in the world premiere of Le soulier de satin by Marc-André Dalbavie at the Opéra de Paris, Baba the Turk in the new production of Stravinsky's Rake's Progress directed by Lydia Steier at the Theater Basel, Scozzone in Saint-Saens' rarely performed opera Ascanio concert version at the Geneva Opera, the Handel roles Nerone ( Agrippina ) and Cornelia ( Giulio Cesare ) as well as the title role in Lully's Isis under the direction of Christophe Rousset and Isolier in Rossini's Comte Ory at the Toulon Opera.
Her concert repertoire includes Bach's St. Matthew Passion under Leo Hussain (Brussels), Rossini's Messa di Gloria (Paris), Berlioz' Les Nuits d' été under Marko Letonja (Strasbourg), Wagner's Wesendonck-Lieder (Orchestre National d' Ile de France), Verdi's Messa da Requiem under Teodor Currentzis (Lucerne, Milan), Mahler's Symphony No. 2 (Las Palmas), Mahler's Kindertotenlieder in the Theatre of Epidaurus and his Song of the Earth .
The following recordings are currently available: Lully's Isis (Aparte), Mahler's Lied von der Erde (Klarte), Franck's Rédemption (Musique en Wallonie Editions) and Saint-Saens’ Ascanio (B Record).
Eve-Maud Hubeaux was born in Geneva and initially studied piano at the Lausanne Conservatory before taking up vocal studies there. She developed her international career from the opera studio of the Opéra National du Rhin Strasbourg. She is a prize winner of numerous competitions, including the International Belvedere Competition (2013) and the 5th Renata Tebaldi International Competition.
2025/26
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