Eve-Maud Hubeaux
Vienna State Opera – Don Carlo
Eve-Maud Hubeaux, as the seductively aggressive Eboli, also deserves a special mention. Her mezzo-soprano is colorful and shimmering, ensuring that the women, in particular, were destined to steal the show this evening.
Krone.at (September 28, 2025)Salzburger Osterfestspiele - La Gioconda
La Gioconda opens the renowned Salzburger Osterfestspiele . This rarely performed opera calls for six outstanding voices—and the festival presented a star-studded cast, including the up-and-coming Eve-Maud Hubeaux, who portrays her first Laura here.
operawire (March 21, 2024)Representation
Worldwide general management (*in cooperation with ARIËN, ARTS & MUSIC MGT. BV for the Benelux countries (Belgium, Netherlands and Luxembourg))
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Season 26/27 and Highlights
VIENNA STATE OPERA
Verdi – Don Carlo – Eboli
Sep 4/7/10/13/16
OPÉRA NATIONAL DE PARIS
Wagner – Götterdämmerung – Waltraute
PREMIERE Oct 8
Oct 11/18
OPÉRA NATIONAL DE PARIS / RING FESTIVAL
Wagner – Das Rheingold – Fricka
Nov 6/15
Wagner – Die Walküre – Fricka
Nov 7/17
Wagner – Götterdämmerung – Waltraute
Nov 13/22
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VIENNA STATE OPERA
Berlioz – La Damnation de Faust – Marguerite
PREMIERE Dec 17
Dec 20/23/27/29Verdi - Don Carlos - Eboli
Jan 17/20/24/27/31THE HAMBURGISCHE STAATSOPER
Bizet – Carmen – Carmen
Feb 28, March 5/8/19TEATRO REAL
Ponchielli – La Gioconda – Laura Adorno
March 31, April 3ROYAL OPERA HOUSE COVENT GARDEN
Ponchielli – La Gioconda – Laura Adorno
Apr 29, May 3/7/10/15/18DEUTSCHE OPER BERLIN
Verdi – Don Carlo – Eboli
May 29, June 3/6/13/17ORCHESTRE NATIONAL DE FRANCE
Beethoven – Missa solemnis
Beethoven – Symphony No. 9
June 10ORQUESTRA DE VALÈNCIA
Mahler – Symphony No. 2
July 1
Biography
Since her portrayal of Amneris in the 2022 Salzburg Festival production of Aida, Eve-Maud Hubeaux has established herself as one of the leading interpreters of today's mezzo-soprano repertoire. With her successful performances at houses such as the Vienna State Opera (Don Carlos/Eboli), the Opéra national de Paris (Hamlet/Gertrude), the Liceu Barcelona (La Favorite/Léonor de Guzman), the Deutsche Oper Berlin (Carmen), and La Monnaie in Brussels (Tristan und Isolde/Brangäne), Eve-Maud Hubeaux has established herself internationally.
Engagements for the 2026/27 season will take Eve-Maud Hubeaux once again to numerous international opera houses and concert halls. She returns to the Vienna State Opera as Eboli in Don Carlo and will sing the role of Marguerite in the new production of Berlioz's La Damnation de Faust, conducted by Bertrand de Billy and directed by Lydia Steier. At the Opéra national de Paris, she will appear as Fricka in Das Rheingoldand Die Walküre, as well as Waltraute in Götterdämmerung. She will appear as Carmen at the Hamburg State Opera and as Laura in Ponchielli's La Gioconda at the Teatro Real Madrid as well as at the Royal Opera House Covent Garden in London, and as Eboli at the Deutsche Oper Berlin. In concert, the mezzo-soprano will perform with the Orchestre National de France as well as at the Palau de les Arts Valencia, both under the baton of Philippe Jordan.
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Highlights of past seasons include Amneris (Aida) in productions at the Opéra de Paris and the Semperoper Dresden , Fricka in a new production of Wagner's Die Walküre at the Opéra de Paris, her role debut as Adalgisa in Bellini's Norma in a concert performance at the Théâtre des Champs-Élysées, Phébée in a new production of Rameau's Castor et Pollux at the Grand Théâtre de Genève, and the title role in a new production of Bizet's Carmen at the Semperoper Dresden. Further highlights include Eboli in the new production of Don Carlo (Serebrennikov-Jordan) at the Vienna State Opera, her debut at San Francisco Opera as Carmen , Laura (La Gioconda) at the Salzburg Easter Festival under Pappano, Fricka in Das Rheingold and the High Priestess in La Vestale at the Opéra de Paris, Mère Marie in a new production of Les Dialogues des Carmélites at the Vienna State Opera, and Eboli (Don Carlo) at the Berlin State Opera. She has also appeared at the Salzburg Festival as Amneris, Gertrude (Hamlet), and Clairon (Capriccio). As Concepcion in Ravel's L'heure espagnole, she captivated audiences in Valencia. She has sung Eboli in the French version of Don Carlo at the Vienna State Opera, the Hamburg State Opera, and the Gran Théâtre de Genève. She also performed as Amneris at the Savonlinna Festival, as well as Carmen at La Monnaie Brussels, Judith in Bluebeard's Castle , and Brangäne in Tristan and Isolde at the Opéra de Lyon, Dona Prouhèze, the female lead role in the world premiere of Le soulier de satin by Marc-André Dalbavie at the Opéra de Paris, Baba the Turk in the new production of Stravinsky's Rake's Progress directed by Lydia Steier at the Theater Basel, Scozzone in Saint-Saëns' rarely performed opera Ascanio in concert version at the Geneva Opera, the Handel roles Nerone (Agrippina) and Cornelia (Giulio Cesare) as well as the title role in Lully's Isis, all under the direction of Christophe Rousset, and Isolier in Rossini's Comte Ory at the Toulon Opera.
Her concert repertoire includes Bach's St. Matthew Passion under Leo Hussain (Brussels), Rossini's Messa di Gloria(Paris), Berlioz's Les Nuits d'été under Marko Letonja (Strasbourg), Wagner's Wesendonck Lieder (Orchestre National d'Ile de France), Verdi's Messa da Requiem under Teodor Currentzis (Lucerne, Milan), Mahler's Symphony No. 2 (Las Palmas), Mahler's Kindertotenlieder at the Ancient Theatre of Epidaurus, and Mahler's Das Lied von der Erde .
Recordings available so far include: Lully's Isis (Aparté), Mahler's Lied von der Erde (Klarthe), Franck's Rédemption (Musique en Wallonie Editions) and Saint-Saens' Ascanio (B Records).
Eve-Maud Hubeaux was born in Geneva and initially studied piano at the Lausanne Conservatory before beginning her vocal studies there. She developed her international career through the opera studio of the Opéra National du Rhin in Strasbourg. She is a prizewinner of numerous competitions, including the International Belvedere Competition (2013) and the 5th Renata Tebaldi International Competition.
2026/27
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