Anastasiya Taratorkina
— Christoph Wurzel, Bachtack (07.16.2026)
...as well as Anastasiya Taratorkina (Sister Constance). The latter, with her sensationally flexible lyric coloratura soprano, provided the vocal highlights of the evening.
— J.-M Weinecke, Das Opernglas (01.24.2026)
Upcoming
Baden State Theatre Karlsruhe
Verdi – Rigoletto – Gilda
Oct 17/22, Nov 1/28, Dec 17, Jan 19
Leipzig Opera
Mozart – Le nozze di Figaro – Susanna
Dec 15
Baden State Theatre Karlsruhe
Rameau – Les Boréades – Alphise
Jan 15/20, Feb 4, Mar 11/24
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Baden State Theatre Karlsruhe
Strauss – Arabella – Zdenka
Apr 4/9/15, May 16/19, Jun 19/24, Jul 6Baden State Theatre Karlsruhe
J. Strauss – Die Fledermaus – Adele
May 2/8/28, Jun 2/11/23Baden State Theatre Karlsruhe
Puccini – Il tratico – Amante / Suor Genovieffa / Lauretta
Jul 3/9/18/21/23
Biography
German-Russian soprano Anastasiya Taratorkina has established herself as one of the most promising young artists of her generation, winning First Prize and the Audience Prize at the 70th International ARD Music Competition in Munich.
She has been a member of the ensemble of the Baden State Theater in Karlsruhe since the 2024/25 season. In 2026/27, she will make her debut as Zdenka in Arabella as well as Lauretta and Suor Genovieffa in Il trittico there. She will also appear as Gilda in Rigoletto, Alphise in Les Boréades, and Adele in Die Fledermaus. At the Leipzig Opera, she will make her house debut as Susanna in Le nozze di Figaro.
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During the two preceding seasons, Anastasiya was in the ensemble of the Hessian State Theater in Wiesbaden, where she made successful role debuts as Gilda (Rigoletto), Susanna (Le nozze di Figaro), Pamina (The Magic Flute), Marzelline (Fidelio), Sophie (Der Rosenkavalier), Gretel (Hansel and Gretel), Ännchen (Der Freischütz), and Nannetta (Falstaff), as well as in the title role of the world premiere of S. N. Eichberg’s Oryx and Crake.
Anastasiya Taratorkina has made guest appearances at renowned opera houses such as Frankfurt Opera (Susanna), Zurich Opera House (Valencienne), Bonn Theater (Gilda), Basel Theater (Woglinde), the Aalto-Theater Essen (Sophie), and Bühnen Bern (Susanna). At the Semperoper Dresden, she made her acclaimed house debut as Euridice in Monteverdi’s L’Orfeo alongside Rolando Villazón and accompanied by the Lautten Compagney Berlin.
In addition to her operatic career, she is a passionate interpreter of art songs. Together with other ARD Prize winners, she undertook a tour of southern Germany, presenting songs by Clara Schumann, Poulenc, Fauré, and Debussy. Her performances have taken her to festivals such as the Mozartfest Würzburg and the Black Forest Music Festival, as well as to the Bavarian Radio.
Anastasiya Taratorkina collaborates with renowned conductors and directors such as Alan Gilbert, Matthias Foremny, Antonello Allemandi, Michael Güttler, Heiko Mathias Förster, Konrad Junghänel, Will Humburg, Wolfgang Katschner, Nikolaus Habjan, and Evelyn Herlitzius.As a soloist, she has performed with orchestras such as the Bavarian Radio Symphony Orchestra, the Collegium Musicum Basel, the Munich Radio Orchestra, the Prague Philharmonic Orchestra, the NDR Elbphilharmonie Orchestra, and the Hessian State Orchestra Wiesbaden, and has performed in some of Europe’s most renowned concert halls, including the Tonhalle Zurich, the Elbphilharmonie Hamburg, the Herkulessaal in the Munich Residenz, the Isarphilharmonie Munich, the Stadtcasino Basel, the Frauenkirche Dresden, and the Kurhaus Wiesbaden.
Anastasiya studied with Prof. Olga Egudina at the Glinka Conservatory in Novosibirsk and completed her studies with Prof. Hendrikje Wangemann at the Carl Maria von Weber University of Music in Dresden.Anastasiya studied with Prof. Olga Egudina at the Glinka Conservatory in Novosibirsk and completed her studies with Prof. Hendrikje Wangemann at the Hochschule für Musik Carl Maria von Weber in Dresden.
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