Anna Gabler
Nuremberg State Theatre - Parsifal
Anna Gabler is a feminine, dramatically gripping, energetic Kundry of the highest order.
Der Opernfreund (09.04.2024)Season 26/27 and Highlights
OPER FRANKFURT
Schönberg – Expectation
Sep 19/27, Oct 2/17
YOMIURI NIPPON SYMPHONY ORCHESTRA
Stephan – The first humans
March 19
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PHILHARMONISCHES STAATSORCHESTER HAMBURG
Schoenberg – Erwartung, Op. 17
Mahler – Symphony No. 5
Apr 18/19
Biography
Soprano Anna Gabler has made a name for herself in the lyric-dramatic repertoire and appears with her wide-ranging repertoire on many internationally renowned stages.
In the 2026/27 season, she can be seen in Schönberg's "Erwartung" as The Woman in the revival of "Warten auf heute" at Oper Frankfurt. She will perform the same role under Kent Nagano in Hamburg. Concert engagements will take the soprano to Tokyo, where she will sing Rudi Stephan's Die ersten Menschenwith the Yomiuri Nippon Symphony Orchestra under Sebastian Weigle.
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Among the important engagements of recent seasons are her role debut as Ariadne in a new production of Strauss's Ariadne auf Naxos at the Tiroler Landestheater Innsbruck, as well as the role of Woman in a new production of Schoenberg's Erwartung at the Canadian Opera Company Toronto under the direction of Johannes Debus, and the role of Vérité ( Guercoeur ) at the Oper Frankfurt , her brilliant role debut as Kundry ( Parsifal ), as well as Senta ( The Flying Dutchman ) at the Nuremberg State Theatre, Geneviève ( Le Roi Arthus ) and Angèle ( Count of Luxembourg ) at the Tyrolean Festival Erl, Salome at the Daegu Opera, the new Paris Ring Cycle, in which she appeared under the direction of Philippe Jordan as Freia ( Das Rheingold ) as well as 3rd Norn and Gutrune ( Götterdämmerung ); Gutrune under the direction of Christian Thielemann at the Semperoper Dresden and under Kirill Petrenko at the Bavarian State Opera; Elsa in a new production of Lohengrin at the Theater Lübeck; Senta in a series of performances of The Flying Dutchman at the Vienna State Opera Volksoper Esmeralda in Franz Schmidt's opera Notre Dame at the St. Gallen Festival; Agathe ( Der Freischütz ), Chrysothemis ( Elektra ), Arabella and Countess in Capriccio at the Vienna State Opera; Eva ( Die Meistersinger von Nürnberg ) under the direction of Daniele Gatti at the Salzburg Festival and under the direction of Vladimir Jurowski at the Glyndebourne Festival; Ortlinde ( Die Walküre ) under Christian Thielemann and Senta in the children's opera production of The Flying Dutchman at the Bayreuth Festival; Leonore ( Fidelio ) and Carlotta ( Die Gezeichneten ) at the Oper Köln ; Senta ( The Flying Dutchman ) at the Teatro Comunale Bologna; Salome at the Klagenfurt City Theatre - this production was chosen as the Music Theatre Production of the Year in Austria - and at the Mannheim National Theatre; her role debut as Female Chorus ( The Rape of Lucretia ) at the Gießen Theatre as well as Countess Maritza at the Karlsruhe State Theatre.
With her first ensemble engagements in Düsseldorf and Nuremberg, Anna Gabler laid the foundation for her international career. Guest appearances have taken her to Brussels, Paris, Frankfurt, Hamburg, Dresden, and Tokyo, in addition to the aforementioned theaters. Throughout her career, Anna Gabler has collaborated with several renowned directors, including Andreas Kriegenburg, Stefan Herheim, David McVicar, Christof Loy, and Katharina Thalbach.
On the concert stage, she sang, among other works, Mahler's 8th Symphony, Britten's War Requiem, orchestral songs by Joseph Marx, Hanns Eisler's German Symphony and Verdi's Messa da Requiem .
2026/27
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